About Me

London based mud lover. Lockdown has done wonders in my progress. I have performed experiments resulting in an array of different outcomes. This has assisted me in finding my signature style. At present time I've found a love for porcelain, carving and nerikomi. Nerikomi is an artistic technique for creating Japanese pottery agateware. All processes are manual. I stain the clay different colours myself which gives me the control of finding specific tones. I then make the pattern into a slab, compress the clay, and mould into a shape.
Further more, lots of wheel throwing has been happening during the numerous lockdowns in the UK results in lots of pots and content. I’ve made the move over to porcelain, and can honestly say I love the material, it gives a finish like no other. Most times I see it in its pure white form and think to myself ’Should I even glaze it?’. I also love throwing closed forms to ensure the lid fits perfectly!
The thing I enjoy most about the world of ceramics are the different amount of colouring techniques. From oxides, stains, brush, dip glazes and so many more I haven’t tried yet. All of them can completely change the feel of a vessel and you’ll never know what it will turn out like until after it’s fired. Some come out as expected, some a surprise, and some a fail. It’s a good way to keep you on your toes!
Here is a QR linked to my instagram if you want to see balls of clay turn into magic. I have a heap of videos showing the development of many different techniques. Lot's of therapeutic ceramic videos to feast your eyes on.
I hope you enjoy having a look at my products as much as I've enjoyed making them!

Unearthed Ova

This collection presents saggar-fired porcelain eggs as imagined artefacts rather than ornamental objects. Each piece suggests a preserved specimen harvested from a mythical ecology — sealed, intact, and deliberately unreadable. The saggar firing process leaves unpredictable surface markings, giving the eggs the appearance of age, heat, and excavation, as though they have been unearthed rather than made.

The works sit in deliberate tension between the tradition of Fabergé eggs and the imagined remains of mythical creatures. They borrow the formal language of precious objects — containment, care, reverence — while rejecting anarrative.

Botanical Drift

Porcelain, paper-porcelain

A rounded porcelain vessel with a narrow neck is deliberately split open, its surface fractured as though the form has burst from within. From the opening, handmade paper-porcelain roses, stems, and leaves emerge, pushing outward in a slow, creeping movement.

The contrast between the smooth, intact body and the ruptured cavity highlights a quiet tension — containment giving way to growth.

Created in response to the stillness of the Covid-19 pandemic, the piece reflects the rare moment when the world paused and nature was given space to restore, reclaim, and move forward on its own terms.

100 Porcelain Mini Vases

Crohn’s and Colitis Awareness

Living with Crohn’s and Colitis, I created 100 miniature porcelain vases, the smallest just 12 mm tall, each hollow. Most are hand-stained in black, blue, and teal, while some remain white, untouched by colour. Though small and fragile, each vase carries its own presence, symbolising resilience.

When placed together, the vases form an army — a strength in numbers — showing how even what may seem small or insignificant can make an impact when united. The repetition reflects both individuality and shared experience, a concept that resonates when raising awareness for any cause.